MUST SEE: Kylie Minogue’s ‘Timebomb’

Please just stop everything you are doing right now and watch this brand new music video from Kylie Minogue for her latest track Timebomb which dropped earlier today. Not only does she look completely amazing, this song is incredible. What a nice unexpected treat from one of my favorite ladies of pop.

Kylie Timebomb is available on iTunes now.
Click here to buy. Directed & Edited by Christian Larson

Kylie Minogue - Timebomb

Ingrid Michaelson’s ‘Blood Brothers’ video

Ingrid Michaelson has been happily skipping along the border between indie and mainstream for a while now, and her new music video for Blood Brothers does a pretty good job of really straddling that line. In the video, a team of hair and makeup geniuses turn her into Marilyn Monroe, John Lennon, Lady Gaga, Gene Simmons, Amy Winehouse, Beyoncé and David Bowie. It’s kind of cool, really, and the song is cheerful and pretty, just like Ingrid!

Ingrid Michaelson - Blood Brothers

Phillip Phillips is our new ‘American Idol’

Oh, yeah, spoiler alert I guess. Anyway, Phillip Phillips, he of the impossibly repetitive name (why would you give your kid that name?) won American Idol last night, just edging out the equally talented Jessica Sanchez. So look forward to both of them releasing one song each before never being heard from again.

Sanchez said she had a hunch that Phillips, 21, “was going to win the whole thing” when the top 3 was announced (Joshua Ledet was eliminated last week). “Phillip has everything about him,” she explained. “He has his funny side and his humble side and he’s just an amazing, original artist. I think we all are talented and I think we all are going to have really successful careers.” She added of her pal, who’s scheduled to undergo kidney surgery imminently: “He has worked harder than all of us. We’ve all been working hard, but he’s been having to deal with his health issues, with his kidneys, and I think he’s been through a lot more than us mentally and physically.” SOURCE

Congratulations to both of them for being that talented and making it that far, but honestly, good luck with maintaining their fame. There have really only been a handful of people who’ve made it out with a career, including Kelly Clarkson (who won first, so … duh), Jennifer Hudson (who had to win an Oscar just to shed that baggage), Adam Lambert (you simply can’t ignore that many sparkles), and of course country superstar Carrie Underwood. Although I’m sure I’ll hear about who I forgot in the comments …



Phillip Phillips

[PHOTO | MICHAEL BECKER / FOX]

Sleigh Bells’ ‘Demons’ music video is here!

If you haven’t bought Sleigh Bells‘ album Reign of Terror yet, please do because it’s so damn sweet. They’ve finally released a music video the standout track, Demons, it’s way cool. That being said, they really need to make one for End of the Line because it’s by far the best song of the year!

Sleigh Bells - Demons

Ingrid Michaelson’s ‘Human Again’ tour

Ingrid Michaelson

There’s an incomparable sense of community at an Ingrid Michaelson concert.

Last Thursday, Ingrid ended her spring tour with a homecoming show at Terminal 5 in New York City. Unbeknownst to the 32-year-old singer/songwriter, her management distributed glow sticks to all the audience members upon their arrival. The instructions were to keep them hidden until the encore and wait for the cue to take them out.

“This is going to be our last song,” Ingrid told the audience with a wink. “And by that I mean you’ll clap and we’ll all come back out on stage and sing a few more,” she teased before breaking into an explosive cover of Rihanna’s “We Found Love” – disco balls, strobe lights and all. #HipsterParadise indeed.

Moments later, the crowd started chanting Ingrid’s name to beckon her back. At this point, a member of the tour crew came on stage with a giant sign to tell the audience that now was the time to whip out their glow sticks. All of a sudden, flashes of neon pink, yellow and green waving in the air interrupted the darkness of the venue.

Upon Ingrid’s return to the stage, her genuine surprise was written all over her face. And she was still choked up when the encore’s first song, “Maybe,” began to play. It was the type of reaction you see from friends when you ambush them with a gift that only someone who knows them really well would know to get. Except this time around, it was one person getting that surprise from 3,000 devoted people at the same time.

If you think about it, the synchronized display of glow sticks is a true testament to Ingrid’s artistry. After all, nobody expects thousands of strangers to group together and quietly choreograph a visual tribute to them.

Yet Ingrid’s music and lyrics are so accessible and introspective that it’s a huge challenge not to feel a personal connection to them. Her metaphors are simple but the imagery they evoke is usually so rich and vivid, it’s as though she’s holding a microscope to her listener’s soul. The desire to physically express the uniformity of her message is one that her fans can’t help but have. Even if it is in the form of a tiny gesture like keeping a glow stick in your pocket for an hour and a half and then taking it out at the same time as everyone around you. Her fans have always felt at one with Ingrid. It was time for her fans to show her that she was at one with them too.

This sense of community, however, did not end with the unspoken agreement about the glow sticks. Ingrid told personal, funny stories to the crowd just as you would gossip with your friend on your living room couch. And each time she told another one, it was like she was getting closer to everybody in the room.

“Only in New York would people scream ‘who are you?’ while you’re singing,” she recalled about performing at last year’s Macy’s Thanksgiving Day parade. “And I was like ‘bitch, I’m on a float. That’s who I am.’” The crowd broke into uproarious laughter. “And this one guy kept shouting it but as I approached closer to him he was like ‘oh alright but you hot, you hot’ and I stopped glaring at him because I was very flattered.”

The laughter continued until Ingrid began to play the opening notes of “Blood Brothers” on the piano. She was letting her audience get to know her outside of her music and for a moment, it was like she was friends with everybody crammed inside the sold-out venue.

For the quirky and sweet “You and I,” Ingrid brought her opening act, British folk/rockers Scars On 45, back on stage along with her own entire band and tour crew. Together, they all stood in a semi circle and took turns signing lines of the song as Ingrid stood on one end strumming away at her ukulele. When they sang the line, “baby how we spoon like no one else,” the vast group of people on stage piled on top of another and had to pause for a moment to regain composure after an outbreak of laughter. It was a moment that celebrated the six weeks of the tour together as much as it celebrated the comraderie of the evening.

When the house lights went on after the show had ended, it felt like the end of a party. Ingrid didn’t just stand up on stage and sing a collection of songs from all throughout her musical catalog. She invited her audience into her world and for those couple of hours, we all stared wide-eyed at her – some inspired, some with tears, and some with resentment towards their girlfriends for dragging them to this show.

But no matter how they felt about her music, every audience member walked out of that venue feellng as though they had gotten to know Ingrid better. That’s a true feat in our contemporary pop culture psyche that values spectacle over connection. Luckily for her fans, Ingrid Michaelson doesn’t play by those rules, and the result is unlike any other concert-going experience I’ve had since … well, the last Ingrid concert I went to.

Ingrid Michaelson’s latest album, Human Again, is available now.

Ingrid Michaelson

[PHOTOS | MIKE BENIGNO]

Katy Perry is ‘Wide Awake’

Hey hey! Here’s a new lyric music video from Katy Perry for her latest track Wide Awake (written for her upcoming 3D film Katy Perry: Part Of Me) that appears on the special edition release, Teenage Dream: The Complete Confection. I actually love this track, and this video is quite clever using Katy’s Facebook timeline to showcase the lyrics. I still remember when I couldn’t stand her one bit, and now I would call myself a fan, not her hugest fan but she somehow managed to win me over in the end.

Katy Perry

Kreayshawn serves up ‘Breakfast (Syrup)’

If you haven’t heard of Kreayshawn yet … meh. I really have no strong feelings either way. Her first single Gucci Gucci was bizarre enough that it crossed over into being awesome, but after a while, it seemed like she was succeeding in spite of herself. Case in point: her new single, Breakfast (Syrup) (featuring 2 Chainz). Don’t get me wrong, it’s decent, but for the all the accolades she received off of Gucci, I wanted more than something that sounds like the end product of Minnie Mouse entering a battery eating contest.

Kreayshawn - Breakfast (Syrup)

Breaking: Donna Summer dead at 63

I’m in complete shock right now, I cannot believe legendary disco diva Donna Summer passed away earlier this morning at age 63 (down in Florida) after losing her battle with cancer. I didn’t even know she was sick, I don’t know what to say, I was such a huge fan, I am so upset. May Donna rest in peace.

Donna Summer — the Queen of Disco — died this morning after a battle with cancer … TMZ has learned. We’re told Summer was in Florida at the time of her death. She was 63-years-old. Summer was a 5-time Grammy winner who shot to superstardom in the ’70s with iconic hits like Last Dance, Hot Stuff and Bad Girls. SOURCE

Five-time GRAMMY® winner Donna Summer had a dynamic voice and unique musical style that helped define the dance music genre in the ‘70s. She also was an artist who crossed many musical genres, as evidenced by her GRAMMY wins in the R&B, rock, inspirational and dance categories. Her talent was a true gift to the music industry, and our thoughts and sympathies are with her family, friends and fans throughout the world during this difficult time.

Neil Portnow
President/CEO
The Recording Academy

Donna Summer

Feist’s ‘Cicadas and Gulls’ music video!

Earlier today, Feist dropped a new music video for my favorite song off of Metals called Cicadas and Gulls, which true to the song’s nature, is pretty stripped down, as she plays on a street at night with a crowd behind her along with some vocalists backing her up. Also, there’s two guys who sort of dance in front of her the entire time. Which seems a bit … off. If this were the dubstep remix, I guess this would make more sense. Hmmmmm … actually, it sort of coalesces if you just go “wubwubwub” over it the whole time. Other than that, the song and video are both AMAZING.

Feist - Cicadas and Gulls

Exclusive: PopBytes talks with Rye Rye

Rye Rye

If Rye Rye isn’t on your radar yet, the release of her hotly anticipated debut album, Go! Pop! Bang!, is about to change all of that.

Over two years in the making, Go! Pop! Bang! finally hits stores today. An amalgamation of cleverly crafted hip-hop, explosive club bangers and dabs of trip-hop, the record is a welcome slice of bedazzled sunshine sure to make you drip sweat this summer. And with current single “Boom Boom” recently having crept its way into the Top 10 on Billboard’s Hot Dance Club Songs chart, you might need to start reaching for a towel even sooner than that.

I caught up with the 21-year-old electro-rapper to chat about the album, her peers in the female hip-hop world, her unique fashion sense, why her mentor M.I.A. compared her to a “lost member of Destiny’s Child,” and more.

ALEX NAGORSKI: Where does the title, Go! Pop! Bang! come from?

RYE RYE: Those are lyrics in one of my songs and when we were naming the album, we were looking for words that stood out to describe my energy. And those three words stuck out because they were comic book words and they make you feel excited.

In the past, you’ve described your sound as “hood” meets “hipster.” Can you elaborate a little bit more about what you mean by that?

Well, I do a lot of dance music but I come from the hood and I put a lot of things into it that you wouldn’t normally find on dance tracks. It’s me be bringing my flavor to the hipster world but with hood attitude.

How would you best describe your sound to someone who’s never heard a Rye Rye song before?

There’s a lot of bass and crazy lyrics. I like to experiment in different sounds. It’s just really fun. And definitely dance-y.

In what ways has your sound evolved from the release of your mixtape to the release of Go! Pop! Bang!?

I feel like my mixtape was more Baltimore. I was there for more of it so the music hit home. But for my album, I couldn’t be there because I had to be making my album. On my mixtape, I said what I wanted to and I did whatever. But on my album, I actually made songs. The genre of my music changed as well because it’s not all club music. It’s influenced by other high-energy stuff that fits better into the mainstream market, but with my flavor – versus my mixtape, which was straight underground.

Are there any distinct Baltimore flavors that can still be heard on Go! Pop! Bang!?

Bass. I’ve stuck to the repetition of the bass. On some of the tracks, I’ve stuck in that lane except I was using 808’s to make it more dance-friendly. It was important to me to make music that would just make me want to dance. And of course, my flavor on a track makes it automatically more Baltimore in general – my flow, my everything.

There’s been a significant increase in the number of female hip-hop artists over the past few years. How do you feel your music distinguishes you from some of your peers like Nicki Minaj?

I think it’s cool. I’m glad that all these females have their own sounds and I support every female artist out there. But we’re all different in our own ways and I feel like that plays a major part. Your fans love you for what you do and if everybody sounded the same, it would kind of take away from that. I think it’s really awesome that we’re all different and we all have our own flavor.

You’ll be working with a few of these ladies on the upcoming remix to M.I.A.’s “Bad Girls” (along with Missy Elliott and Azealia Banks) and have collaborated in the past with Iggy Azalea on your mixtape, so I definitely get the impression that you support one another’s work.

Yeah well, when we were created the mixtape, the songs sort of seemed like they were all going in the same direction so I wanted to freshen it up. On that song with Iggy, I sampled a track by Kanye and Jay-Z and I did a straight, hard remix to it. But then I kept wanting to get someone else on there. At first I wanted to feature a guy but then someone was like, “this song is so strong already so if anything, you should put another girl on there.” So I thought Iggy would be cool because I like her flow and she’s doing that type of hood stuff I like and I thought she’d be good for it.

In addition to M.I.A., Go! Pop! Bang! features collaborations with a wide variety of artists, including Robyn, Akon, Tyga and Porcelain Black. If you could record a duet with any contemporary musician, who would it be and why?

Missy Elliott, definitely. She’s one of my favorite artists. She’s just so interesting and is someone I would totally love to work with. Especially because she’s so visual. What she does in her videos is so creative and is so based around dancing, which is my first love. So I was always into that. And Kanye West is one of my favorite artists too.

You and M.I.A. have been friends for a long time. You appeared in the music video and on a remix for her hit “Paper Planes,” you became the first artist signed to her record label (N.E.E.T.), you’ve toured together and she collaborated with you on a few tracks from Go! Pop! Bang!, including the lead single, “Sunshine.” What was the best mentoring moment she gave you over your years working together?

When I first started touring with her, her style rubbed off on me. She always told me, “you can wear anything but you’ve got to wear it with attitude. If you wear something with confidence, nobody can really tell you anything bad about it.” When I would go back to Baltimore, a lot of people were really close-minded. So if I’d wear something in my style, they would look at me and think I was crazy because they weren’t exposed to that swag culture yet. But what M.I.A. said about that really stuck with me. She told me to be myself and work with and embrace what I was wearing, so I ran with it. Then there was other stuff like if record labels were ever doing something that I didn’t want, to always put my foot down and stay true to who I was and to stay true to Baltimore. Those are the two main things that have stuck with me to this day.

Another thing that makes you stand out is your incredibly unique sense of fashion. Can you tell me a little bit more about where you draw your style inspirations from?

I love being street but for grownups. Back in the day, I used to wear a lot of baggy clothing and a lot of street clothing. M.I.A. used to say to me “oh no, I don’t want you to wear heels. You look like a lost member of Destiny’s Child!” But now that I’m older, I like to wear things like heels with streetwear and outerwear, like t-shirts or leggings. I really just have my own style. I like taking risks and I’ll wear anything. I like things that are bright and patterns that pop.

You’ve been associated with various fashion designers such as Prabal Gurung and Jeremy Scott. If you were to come out with your own clothing line, what would be some of the signature looks?

I’m a big fan of crop tops. I feel like that those are the types of shirts you can wear anywhere – to the store, to the club, wherever. Plus they’re comfortable and also fashionable. I’m also a big fan of leggings. I wear leggings all the time and I feel the most comfortable when I’m in them. And I love latex stuff now too. I’m getting into a lot of rubber dresses, so I’m into a lot of different styles.

This year, you also made your acting debut in the box office smash 21 Jump Street. Is acting something we’ll be seeing you do a lot more of in the future?

Yes! I would love to. I’m working on it. I love it. I don’t have anything lined up right now but I’m working on setting it up.

Now that your album is finally being released, can your fans expect a tour in the near future?

Yeah! I’m putting together the tour. I’ve got a couple shows lined up but I know for sure we’ll be hitting up New York and Portland – but I don’t really know the rest off hand.

What’s something your fans most likely don’t know about you that would surprise them?

I’m very sensitive about real life stuff. Like, seeing homeless people is like heart failure for me. I take that very seriously and I always say I want to open up a shelter for them. I really care about people a lot. I’ve got a lot of crazy energy and I like to do my thing and people know me from the club scene, but I really have a heart.

You turned 21 back in November. How did you celebrate this milestone birthday?

Prior to that, I was in Vegas doing some shows with LMFAO so I was celebrating days in advance. I really didn’t do anything on my actual birthday though. I stayed in because I was on tour. And being able to perform and being on the road and doing what I love was already a celebration for me. I was celebrating the whole time.

And for my final question, what about the release of Go! Pop! Bang! are you most excited about?

I’m just relieved more than anything because the album’s been such a long time coming. I feel like now I can finally breathe because I don’t have to wait for it anymore.

Go! Pop! Bang! is now available on iTunes.

Rye Rye - Go! Pop! Bang!

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